April 04, 2016
First Look, part 2: James McMullan
An incredible array of new material from James McMullan.
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An incredible array of new material from James McMullan.
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James McMullan’s process is detailed step-by-step, showing exactly how he composed and executed the complicated tableau of the Baader-Meinhof Group’s escape from a Berlin library.
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A preview of James McMullan’s upcoming Masters Series show at the Visual Arts Gallery.
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James McMullan’s illustrations for Dutton’s paperback box set of The Alexandria Quartet, an ambitious mid-century novel tetralogy by Lawrence Durrell.
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James McMullan is paired with Jane Jacobs for a 1966 issue of the Push Pin Graphic.
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This summer we received a great donation from illustrator, poster designer and long-time SVA faculty member James McMullan.
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We recently received a wonderful donation from James McMullan, and while I was looking for a few things to feature in a sneak peek, I came across this illustration he did for Push Pin of Long Island as a potato.
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We recently finished organizing and describing the James McMullan Collection, which was donated by the acclaimed illustrator and designer last year.
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James McMullan did stunning work for the short-lived West magazine.
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James McMullan’s watercolor book jackets capture the spirit of Borges.
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Well before the boom of direct-to-consumer pharmaceutical advertising, highly adventurous drug advertising was aimed almost exclusively at physicians.
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From the James McMullan Collection, a look at some of the best illustrators who got their start the 1950s and 60s.
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James McMullan is best known for his gorgeous posters for Lincoln Center theatrical productions, but he applies the same care to his spot illustrations for The New Yorker theater reviews.
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James McMullan illustrated Nabokov’s Transparent Things for Esquire in 1971.
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James McMullan’s expressive illustrations add layers to Joan Didion’s novelistic essays.
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James McMullan colors outside the lines of a self-imposed grid.
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Go see James McMullan’s Lincoln Center Theater posters at the New York Public Library for the Performing Arts.
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In addition to our posts to the new Container List outpost at Dan Nadel’s PictureBox, Dan himself (whom you probably know as the publisher, art director, editor, curator, and writer extraordinaire, and we know as our No. 1 fan) will be be blogging about his favorite items from our collections. Today at PictureBox, James McMullan’s angelically menacing portrait of Charles Manson gets some love from Dan.
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James McMullan designed and illustrated this piece for Caprolan nylon during his first year at Push Pin; it appeared in the September 7, 1966 issue of Women’s Wear Daily.
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SVA Publications and Institutional Records
Gail Anderson Collection
Ed Benguiat Collection
Chermayeff & Geismar Collection
Seymour Chwast Collection
Heinz Edelmann Collection
Louise Fili Collection
Cris Gianakos Collection
Milton Glaser Collection
Keith Godard Collection
Steven Heller Collection
David Mazzucchelli Collection
Ed McCabe Collection
James McMullan Collection
Tony Palladino Collection
Stefan Sagmeister Collection
Paul Sahre Collection
Deborah Sussman Collection
Fred Troller Collection
George Tscherny Collection
Henry Wolf Collection