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June 15, 2014
Go West
James McMullan did stunning work for the short-lived West magazine.
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May 23, 2014
Don’t make ’em like this anymore
I especially like identity systems when they are applied to things that might seem outside of the purview of corporate promotions. So with this SVA check designed by George Tscherny, circa 1956.
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May 09, 2014
Cross-hatch
Milton Glaser explored an undersea terrain for Sports Illustrated in 1961.
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May 06, 2014
Richard Serra in Rome, 1966
A brochure for Richard Serra’s first solo show, from 1966, surfaced recently in the archives. Though often excised from his oeuvre, Serra, then on a Fullbright in affiliation with Academie Belles Artes in Florence, showed live and stuffed animals along with sculptural collages or Rauschenbergian “combines” at Gallery La Salita in Rome.
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April 25, 2014
Palladino Perfectos
These Perfectos cigarette ads, designed by Tony Palladino in 1965, caught my attention because they’re so markedly different in style from the typical tobacco ads of the 1960s.
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April 24, 2014
Won’t you be my neighbor
James McMullan is paired with Jane Jacobs for a 1966 issue of the Push Pin Graphic.
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April 12, 2014
They might be giants
Icons of culture and folklore are interpreted by the artists of Push Pin.
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April 08, 2014
Blechman Palladino for Architectural & Engineering News
Tony Palladino collaborated with R.O. Blechman in the 1960s. One of the best examples of their combined sensibilities appeared on their covers for Architectural & Engineering News.
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April 07, 2014
Georgia’s always on my mind
Herb Lubalin was among the many designers and illustrators who contributed to the United States Information Agency’s 1962 graphic arts exhibition that toured the USSR.
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April 04, 2014
Henry Wolf for Olivetti
In the late-1960s Henry Wolf produced a number of advertisements for Olivetti, which touched on two of his favorite devices: the use of celebrity and the distortions of scale and context used to dreamlike effect.
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March 31, 2014
Group W
From the James McMullan Collection, a look at some of the best illustrators who got their start the 1950s and 60s.
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March 25, 2014
Let me hear your balalaikas ringing out
The United States Information Agency deploys its secret weapon in the Cold War: designers and illustrators.
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March 16, 2014
The Cook
Milton Glaser created this 1965 book jacket for The Cook, a satirical horror novel about a mysterious chef, Conrad Venn, who seduces and manipulates the wealthy Hill and Vail families with food.
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March 15, 2014
Do you see what I see?
A symposium of “provocative visual material” inspired Milton Glaser to come up with some of his own.
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March 10, 2014
Fashion Illustration at SVA
Fashion illustration was a popular pursuit at SVA in the 1960s.
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March 04, 2014
Auteur, auteur
Andrew Sarris, film critic for the Village Voice and screenwriting lecturer at the School of Visual Arts, delivered a special free lecture in 1968.
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March 03, 2014
That New York
Brownjohn, Chermayeff and Geismar’s expressive typography for The Composing Room.
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February 22, 2014
Words and music
Brownjohn, Chermayeff & Geismar’s playful experiments with type placement and scale for Concert Associates.
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February 12, 2014
Significant figures
Milton Glaser’s menagerie of figures for the School of Visual Arts, 1971.
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January 28, 2014
Barbizon
George Tscherny’s 1967 company profile for lingerie-maker Barbizon.
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