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Ed Benguiat Collection


Abstract

Ephram Edward Benguiat (October 27, 1927–October 15, 2020) was a typographer and lettering artist. Most of his typefaces are published by International Typeface Corporation; some of his more notable typefaces include Bookman, Panache, Souvenir, and Avant Garde Condensed. Benguiat became the typographic design director of Photo-Lettering Inc (PLINC) in 1962 and, in 1971, played a critical role, along with Herb Lubalin, Aaron Burns and Ed Ronthaler, in the establishment of the International Typeface Corporation (ITC), the first independent licensing company for type designers. Benguiat eventually became Vice President of ITC, and he partnered with Lubalin to found "U&lc," ITC’s house magazine. Benguiat was also responsible for designs or redesigns for logotypes for Esquire, The New York Times, McCall’s, Sports Illustrated, and The San Diego Tribune, among many others. As a design consultant for the 1992 Summer Olympics in Barcelona, he created the typeface ITC Barcelona. His revival of Korinna, also for ITC, can be seen almost daily on the game board on the game show "Jeopardy!" His eponymous typeface, ITC Benguiat, returned to the public eye in the title sequence of the TV show, "Stranger Things." A longtime SVA instructor, Benguiat began teaching at the College in the mid-1960s. He was a member of the Art Directors Club Hall of Fame.


Date

1966 – 1993


General Physical Description

Four oversize flat boxes and one flat file drawer.


Scope and Contents

The collection comprises printed material (mainly poster advertisements showcasing typefaces, mounted on foam core, but also logotypes and periodical covers) and working files (drafts, sketches, original art for typefaces and logos) for Benguiat's work with Photo-Lettering Incorporated, and those published by the International Typeface Corporation.


Arrangement

The Ed Benguiat Collection is arranged in four series. Series 1. Photo-Lettering Incorporated, contains printed material and working files directly related to his work at Photo-Lettering Incorporated. Series 2. International Typeface Corporation, comprises printed material and working files for typefaces designed by Benguiat and published by the ITC. Series 3. Miscellaneous Logotypes, describes logotypes that did not fit clearly into series 1 or series 2. Series 4. Miscellaneous, contains items that did not clearly fit into series 1, 2, or 3: a letter and photograph of Benguiat as a young child, and a poster/invitation to the Type Directors Club 1988 holiday party mounted on foam core.


Restrictions

This collection is open for research.


Citation

Ed Benguiat Collection, [series. item]. Milton Glaser Design Study Center and Archives, Visual Arts Foundation, New York.

Container List

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 1. Photo-Lettering Incorporated (MG.24.S01)

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 1. Photo-Lettering Incorporated (MG.24.S01)  >  Subseries 1. Printed Material (MG.24.S01.S01)

LOC
TITLE
DATE
B1 F2
Alphabets and Images Incorporated, logo
n.d.
B2
Alphabets and Images Incorporated, logotype
n.d.
B4
Article from 1915 volume of “Direct Advertising” (typeface: Pacella Royale), poster
n.d.
D83
Benguiat Egizanu Bold typeface, poster
n.d.
B3
"A Collection of Art Deco Alphabets" (Alphabet Directions Number 11), periodical cover
n.d.
B3
"Designed Styles for Your Legal Documents…" poster
n.d.
B4
Ed Benguiat consultancy announcement (mounted)
n.d.
B4
Ed Benguiat consultancy, announcement
n.d.
B4
"Ed’s Futura" typeface, poster
n.d.
B3
"An Illustrated Typographic Journey," Vol 2 No 1, cover
n.d.
B3
"An Illustrated Typographic Journey," Vol. 1 No. 1, cover
n.d.
D83
ITC Benguiat Condensed with Italics, poster
n.d.
D83
ITC Benguiat, poster
circa 1977
B4
ITC Panache type specimen, book cover
n.d.
B3
New Benguiat Charisma typeface examples
n.d.
B1 F1
The Original Photo-Lettering Inc. (version 1, full color), logo
n.d.
B3
The Original Photo-Lettering Inc. (version 2, two tone), logo
n.d.
B4
What Do These Ten (Type) Faces Think About PLINC? poster
n.d.
B4
“Billiard Hall and Ladies Bowling Saloon,” “On the Verandah,” “Dining Hall” (typefaces: Sarah Bernhardt, Albertus Graphic), poster
n.d.
B3
“Crystal Palace” (typefaces: Barclay Engravers Bold Condensed, Britannia 8182), poster
n.d.
B3
“Facade Typography” (typeface: Lenox Hill Condensed), poster
n.d.
B3
“Five Hundred and Seventy Six Monograms Just For You” (typeface: Pastel Light 8170), poster
n.d.
B3
“No. 1 the president’s corner...” (typeface: Modern No. 216), poster
n.d.
D83
“O Say Can You See Photo-Lettering,” poster
n.d.
B4
“P.T. Barnum” (typeface: ITC Franklin Gothic), poster
1982
B1 F1
“Photo-lettering No. 1” (“A stimulating, idea provoking series depicting a few of the display headlines programmed by Photo-Lettering, Inc”), periodical cover
1973
B1 F1
“Photo-Lettering Number Three/Alphabet Directions Number Twenty-Two,” (“Three!”), promotion cover
1974
B1 F1
“Photo-Lettering Number Two/Alphabet Directions Number Twenty-One,” periodical cover
1973
B3
“PLINC Around Town,” poster
1983
B4
“Thank You” PLINC advertisement
n.d.
B3
“The Angelus Benevolus of Type Design," poster
1985
B4
“The beach at Longbranch, New Jersey, July 1872” (typefaces: Sarah Bernhardt, Albertus Graphic), poster
n.d.

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 1. Photo-Lettering Incorporated (MG.24.S01)  >  Subseries 2. Working Files (MG.24.S01.S02)

LOC
TITLE
DATE
B2
Alphabets and Images, rough logotype
n.d.
D83
"The Angelus Benevolus of Type Design," negative
n.d.
D83
"The Angelus Benevolus of Type Design," original art
1985
B1 F3
Benguiat Playbill Cursive typeface (“nniioefddtgk”) (perhaps “Benguiat Omni”), original art
1965
B1 F2
Benguiat Priscillas typeface (“kvxwzmrhulabeocsdif”) (perhaps "Playbill Stye Roman"), original art
n.d.
B1 F4
Ed Benguiat consultancy announcement negative
n.d.
D83
Estee Lauder, three etched negatives for typeface
n.d.
B1 F5
Fat Stuff (new font based on Charisma), original art
n.d.
D2
The Original Photo-Lettering Inc., sketch for logo
n.d.
B1 F7
PL&H logotype, a positive print and a negative
n.d.
B1 F7
“A” (the letter A in eight different typefaces), negatives
n.d.
B1 F2
“Barcelona ’92”/PLINC, logotype mechanical
n.d.
B1 F4
“x,” negative
n.d.

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 2. International Typeface Corporation (MG.24.S02)

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 2. International Typeface Corporation (MG.24.S02)  >  Subseries 1. Printed Material (MG.24.S02.S01)

LOC
TITLE
DATE
B2
ITC Barcelona typeface, magazine clipping
n.d.
B1 F1
ITC Benguiat Condensed typeface, magazine clipping
n.d.
D83
ITC Bookman, Barcelona, and American Typewriter specimen, book covers (mounted)
n.d.
D83
ITC Caslon, Benguiat, and Korinna specimen, book covers (mounted)
n.d.
B2
ITC Modern No. 216, magazine clipping
1982
B3
ITC Panache type specimen, book cover
n.d.
B4
"To write or not too right…A-Z," poster
n.d.

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 2. International Typeface Corporation (MG.24.S02)  >  Subseries 2. Working Files (MG.24.S02.S02)

LOC
TITLE
DATE
D83
Benguiat Gothic typeface (“908”), original art
1979
B2
Benguiat Gothic typeface (“fjare”), original art
1979
B2
Benguiat typefaces collage
n.d.
D83
Benguiat typefaces collage, negative
n.d.
B1 F2
"BENGUIAT" in various typefaces
n.d.
B1 F4
Presidential Script typeface (“h”), original art
n.d.

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 3. Miscellaneous Logotypes (MG.24.S03)

LOC
TITLE
DATE
B1 F1
"Antique Clocks," hand-lettering in pencil
n.d.
D83
Bill of Rights logotype
n.d.
B2
Cliff Freeman and Partners, logotype
n.d.
B2
The Dreyfus Consumer Bank, logotype
n.d.
B1 F1
The Dreyfus Consumer Bank, pencil sketch
n.d.
D83
E. Hedy Schultz monogram, original art; United States of America logotype, original art
n.d.
B2
El Sol (version 1), logotype
c. 1990
D83
El Sol (version 2), logotype
c. 1990
B2
The Gainesville Sun, logotype
n.d.
B2
The Gainesville Sun, logotype
n.d.
B2
M/R&T. Rough #2, logotype
1990
B2
M/R&T. Sketch #2, logotype
1990
B1 F1
McCall’s, final master transparency
1990
B2
Mercedes Benz, logotype
n.d.
B4
The New York Times Magazine Book Review logotype (with notes), photostat
c. 1966
D83
San Diego Union-Tribune and Sarasota Herald-Tribune, final master negative
1984
B1 F2
Todd Pierce & Company logotype (ampersand only)
B2
Todd Pierce & Company, logotype
n.d.
B2
The Tuscaloosa News logotype
n.d.
B1 F6
WNBC-TV News 4 New York Designs for Promotion, mechanical
n.d.

Milton Glaser Design Study Center and Archives  >  Ed Benguiat Collection  >  Series 4. Miscellaneous (MG.24.S04)

LOC
TITLE
DATE
B4 F1
Collection of Benguiat typefaces from galley of unspecified publication
September 1993
B1 F8
Letter from Ed Benguiat to ITC regarding ITC Bookman, including photo of Benguiat at two years old
n.d.
B2
Type Directors Club Holiday Party, poster
1988