I’m not sure there’s a greater significance to James McMullan’s use of grids, but I noticed them in sufficient number to start thinking about why they might have appealed to him. The grids impose order, but I’ve always thought of McMullan’s work as deceptively methodical. He often creates works based on staged photographs, and at first glance, the drawings can appear to be a wholly faithful representation. A close look, however, reveals something brooding and wistful, maybe dangerous. The grids add a sense of being confined and a longing for escape (intentional or not).
Some abstracted versions of the grid:
This post also appears on our Picturebox blog.