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March 22, 2016

Milton Glaser for MGM, 1970

Some background (and forgotten drafts?) of Milton Glaser’s poster for Antonioni’s Zabriskie Point.

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August 28, 2015

Milton Glaser for Creative Newspaper, 1982

Click through for the full image.

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July 21, 2015

Milton Glaser’s cover for Aaron Lightman’s self-titled LP

This amazing LP from 1969 is one of the most beautiful hidden gems in the field of pop arranged singer-songwriters. Originally issued on Poppy Records, home of psych heads The Mandrake Memorial among others, Lightman’s LP deserves to be discovered by all the fans of the soft rock, orchestra arranged sounds. Think of an American reply to the early works of Duncan Browne, Bill Fay, Nick Garrie or even Donovan at his most popsike recordings. Fans of the early Bee Gees will also enjoy this LP! Credit for the arrangements and production goes to the great Ron Frangipane and David Christopher, who is also credited as a co-writer of the albums songs. The album came housed in a beautiful Milton Glaser sleeve (Glaser was the main designer at Poppy at that time) which the Wah Wah reissue respects, and featured an insert with the lyrics which is also reproduced on our reissue. Housed in quality sleeves and pressed in 180 gram thick black vinyl for the delight of the most discriminating audiophiles. Limited to 500 copies!

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May 21, 2015

Milton Glaser’s Boris Vian

Milton Glaser’s watercolors for a French edition of Boris Vian’s I Spit On Your Graves.

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January 06, 2015

Welcome back—and to 2015

Students will return to SVA next Monday but we’re back and the archives are reopened already. Here’s Seymour Chwast’s cover design for Time‘s promotional calendar for the academic year 1982–1983.

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November 05, 2014

Sample clearance

Another chapter in our series of posts on George Tscherny’s work for Pan Am.

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August 23, 2014

Coming soon: James McMullan at the Visual Arts Gallery

A preview of James McMullan’s upcoming Masters Series show at the Visual Arts Gallery.

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August 14, 2014

Purple passages

James McMullan’s illustrations for Dutton’s paperback box set of The Alexandria Quartet, an ambitious mid-century novel tetralogy by Lawrence Durrell.

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July 25, 2014

Layer upon layer

James McMullan’s layered comic strip illustration.

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July 09, 2014

Master strokes

Seymour Chwast’s intricate composition of his illustrations.

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June 28, 2014

Robert Weaver at SVA

Pioneering illustrator Robert Weaver was a major figure at SVA beginning in 1950s.

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June 15, 2014

Go West

James McMullan did stunning work for the short-lived West magazine.

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March 31, 2014

Group W

From the James McMullan Collection, a look at some of the best illustrators who got their start the 1950s and 60s.

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March 02, 2014

Spot on

James McMullan is best known for his gorgeous posters for Lincoln Center theatrical productions, but he applies the same care to his spot illustrations for The New Yorker theater reviews.

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February 09, 2014

Dim sum

The Nom Wah Tea Parlor, the venerable Chinatown dim sum purveyor that uses Milton Glaser’s illustrations on its menu, reopened in time for the Chinese New Year.

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February 01, 2014

Urban Outfitters’ Slant

In the early 1990s, Urban Outfitters fully embraced a retro, anti-consumerist consumerism, snarky and winking – alternative style gone mainstream.

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January 19, 2014

James McMullan on the grid

James McMullan colors outside the lines of a self-imposed grid.

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December 16, 2013

The many faces of Elliott Gould

For Time magazine, 1970: several versions of Elliott Gould, by Milton Glaser

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December 06, 2013

Illustrating ‘Seventeen’

Mid-century editorial illustration from the pages of Seventeen magazine.

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November 30, 2013

Smiling faces

An assortment of Seventeen magazine advertisements from the ’50s and ’60s.

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All names, logos, trademarks and/or copyrighted images are the property of their respective owners and their appearance on this site is merely intended to illustrate certain of the content available for educational purposes in the Milton Glaser Design Study Center and Archives of the Visual Arts Foundation and is not intended in any way to imply or suggest that the respective owners of these names, logos, trademarks and/or copyrighted images consent to, approve, endorse, sponsor, or intend to associate with the Visual Arts Foundation or any of its affiliates.

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All names, logos, trademarks and/or copyrighted images are the property of their respective owners and their appearance on this site is merely intended to illustrate certain of the content available for educational purposes in the Milton Glaser Design Study Center and Archives of the Visual Arts Foundation and is not intended in any way to imply or suggest that the respective owners of these names, logos, trademarks and/or copyrighted images consent to, approve, endorse, sponsor, or intend to associate with the Visual Arts Foundation or any of its affiliates.