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January 03, 2013
Push Pin and the P-Head
From the Push Pin Slide Collection: what appears to be a study for an alphabet based on the 1971 PBS identity designed by Lubalin Studio.
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November 06, 2012
Red letter days
Slightly more legible version of the snapshot available on our Flickr.
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September 06, 2011
Bob + Joan
Bob Dylan’s brief relationship with Joan Baez was exhaustively documented, but we get interested when that affair highlighted the work of Push Pin Studios. In 1964, Dylan and Baez were photographed at Newark Airport in front of Seymour Chwast’s poster for Booth’s Gin: an incongruous, but not surprising, image of two icons flanking a countercultural message from a corporate advertiser.
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June 04, 2010
Subscribe to Push Pin Graphic
The thing that fascinates me most about Push Pin Graphic is how unpredictable they manage to be all the time. Even apart from the contents of each issue, every promotion contains — no matter how generic the thing as a whole may be — some off-kilter element that has a defamiliarizing effect on the whole endeavor. The Cherie Currie-esque figure here has no other reference anywhere on the page, she’s just hanging out in the margin of the tearaway.
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June 26, 2009
The Push Pin corporate identity
This label, stuck authoritatively on the back of a mounted board as a bit of corporate identity — complete with the overrule, grotesk “Group Incorporated,” and high-contrast logotype — exploits its context to achieve a kind of reflexive wit, a kind of acknowledgment of what is being put over, that gives it a unifying effect (it is at once more than, and no more than, a “bit of corporate identity”). This is achieved with an unusually unaffected air — a combination that I think has always characterized Chwast’s work.
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June 01, 2009
Dada, explained
Here’s an ironic instructional piece from early Push Pin Studios member John Alcorn. A highly accomplished designer and illustrator, Alcorn also designed the opening titles for several Fellini films. Click here for the full image.
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