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February 16, 2016

Delpire

Robert Delpire and Push Pin Studio’s mutual admiration resulted in exhibitions in both New York and Paris.

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January 27, 2016

Cyrk ice cream by Seymour Chwast

Seymour Chwast’s characteristic contour line and flat pastel coloration appears on the packaging of this short-lived late-80s Kosher ice cream, for which his Push Pin Studios also contributed the logo.

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August 28, 2015

Milton Glaser for Creative Newspaper, 1982

Click through for the full image.

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June 09, 2015

Western Union’s ‘Computer Letter’

Ed McCabe’s characteristically direct copy for Western Union’s spammy-sounding “Computer Letter,” 1983. Click through for more and the full page.

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June 08, 2015

Henry Wolf for Karastan carpets

An excellently memorable and surreal campaign photographed by Henry Wolf for Karastan carpets.

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May 21, 2015

Milton Glaser’s Boris Vian

Milton Glaser’s watercolors for a French edition of Boris Vian’s I Spit On Your Graves.

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March 30, 2015

Paula Scher’s identity for SVA

In 1988, the School of Visual Arts commissioned Paula Scher—a longtime faculty member but not yet a principal at Pentagram—to redesign its corporate identity.

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February 24, 2015

I’ve seen you on the beach and I’ve seen you on TV

Malcolm Garrett was the subject of “Ulterior Motifs: An Exhibition of Graphic Devices 1977-1993,” an exhibition held at SVA in 1993 that featured Garrett’s logotypes for clients in the music, publishing, and retail industries.

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January 06, 2015

Welcome back—and to 2015

Students will return to SVA next Monday but we’re back and the archives are reopened already. Here’s Seymour Chwast’s cover design for Time‘s promotional calendar for the academic year 1982–1983.

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December 11, 2014

Christmas mail bag

Steven Heller collected more than 250 Christmas cards from artists for a 1980s book project. Many of the cards are hand-drawn or painted, but even the reproductions are playful and highly personal.

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November 24, 2014

Pop pourri, part 2

Reader Don O’Hara sent us a few additional iterations of the Jem “Classic Series” we featured last week.

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November 19, 2014

Pop pourri

Milton Glaser was hired by Deluxe Communications Corporation/Jem to design a set of LP sleeves for oldies releases they called The Classic Series.

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August 29, 2014

Story arc

Milton Glaser got minimal for SVA’s 40th Anniversary logo.

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August 21, 2014

Deborah Sussman, 1931–2014

A tribute to the designer whose neon imagery and super sized environmental design changed the landscape of American design.

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July 02, 2014

Seymour Chwast for Pepsi

Chwast’s can for Diet Pepsi for the Christmas season integrated their 1986-1991 logo into Santa’s spectacles. As you can see in this photo, the rims of the glasses were left unpainted shiny aluminum to highlight the logo—the background behind Santa was also a checkerboard of white and silver. (Click through for full frame.)

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July 02, 2014

C&G for Masterpiece Theatre

Masterpiece Theatre was the principal portal into British television for American audiences in the seventies; Mobil, the sponsor, drafted their longtime designers Chermayeff & Geismar to make posters for various features.

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June 28, 2014

Robert Weaver at SVA

Pioneering illustrator Robert Weaver was a major figure at SVA beginning in 1950s.

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June 26, 2014

Sunday hats

Tony Palladino created this indelible image for an SVA poster in 1989.

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June 23, 2014

In the balance

In the 1970s and 1980s Heinz Edelmann designed many posters for the West German public broadcasting station Westdeutscher Rundfunk (WDR).

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June 03, 2014

On the same wavelength

The BFA Fine Arts department has long shown film or video art in the SVA Amphitheatre. These rough posters, spanning three decades, announce screenings of milestone works.

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All names, logos, trademarks and/or copyrighted images are the property of their respective owners and their appearance on this site is merely intended to illustrate certain of the content available for educational purposes in the Milton Glaser Design Study Center and Archives of the Visual Arts Foundation and is not intended in any way to imply or suggest that the respective owners of these names, logos, trademarks and/or copyrighted images consent to, approve, endorse, sponsor, or intend to associate with the Visual Arts Foundation or any of its affiliates.

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All names, logos, trademarks and/or copyrighted images are the property of their respective owners and their appearance on this site is merely intended to illustrate certain of the content available for educational purposes in the Milton Glaser Design Study Center and Archives of the Visual Arts Foundation and is not intended in any way to imply or suggest that the respective owners of these names, logos, trademarks and/or copyrighted images consent to, approve, endorse, sponsor, or intend to associate with the Visual Arts Foundation or any of its affiliates.