Lillian Roxon's Discotique
Lillian Roxon, the trailblazing Australian music journalist and author of the massive Lillian Roxon’s Rock Encyclopedia (1969) was a rich subject for any artist.

Lillian Roxon, the trailblazing Australian music journalist and author of the massive Lillian Roxon’s Rock Encyclopedia (1969) was a rich subject for any artist.
Milton Glaser created three postage stamps for the tiny republic of San Marino in 2016.
The year Milton Glaser spent studying etching with Giorgio Morandi in Italy was a pivotal time in his art education.
For an article on returning to the site of the Battle of Bataan in the Philippines, Glaser painted a muted and downcast soldier emerging over a vivid landscape.
Milton Glaser's cheerfully psychedelic ads for Fanta are the natural culmination of Push Pin's psychedelic style.
Milton Glaser's first paying job was the cover of a crime fiction magazine.
Around the same time Milton Glaser and Push Pin Studio's style was taking hold and permeating popular culture, Milton was doing transformative and awesomely weird work for typewriter company Olivetti.
We mourn the loss of Milton, an artist, a teacher, a New Yorker, a man who changed our visual culture.
A video introduction to our collections.
We talked to Milton about his 1969 assignment to illustrate the cover of Time magazine.
Milton Glaser's early book covers, done not long after he founded Push Pin Studios with Seymour Chwast, served as a kind of laboratory for the techniques and styles he was exploring in the late 1950s and early 1960s.
Robert Delpire and Push Pin Studio’s mutual admiration resulted in exhibitions in both New York and Paris.
Milton Glaser’s surreal landscapes for Hangar Design Group.
65 Self-Portraits is one of the best documented of the remarkable series of exhibitions organized by Shirley Glaser while she was director of SVA’s Visual Arts Gallery, 1964-1969.
This amazing LP from 1969 is one of the most beautiful hidden gems in the field of pop arranged singer-songwriters. Originally issued on Poppy Records, home of psych heads The Mandrake Memorial among others, Lightman’s LP deserves to be discovered by all the fans of the soft rock, orchestra arranged sounds. Think of an American reply to the early works of Duncan Browne, Bill Fay, Nick Garrie or even Donovan at his most popsike recordings. Fans of the early Bee Gees will also enjoy this LP! Credit for the arrangements and production goes to the great Ron Frangipane and David Christopher, who is also credited as a co-writer of the albums songs. The album came housed in a beautiful Milton Glaser sleeve (Glaser was the main designer at Poppy at that time) which the Wah Wah reissue respects, and featured an insert with the lyrics which is also reproduced on our reissue. Housed in quality sleeves and pressed in 180 gram thick black vinyl for the delight of the most discriminating audiophiles. Limited to 500 copies!
Forever potent and still open to interpretation despite its ubiquity, the skeleton has surfaced many times in the early work of Milton Glaser.
Really a sister project of Milton Glaser and Jerome Snyder’s Underground Gourmet column for New York magazine, Glaser’s “Chinese Grocery” poster sought to guide the uninitiated through a Chinatown market, in this case the no longer extant United Supermarket at 84 Mulberry Street.
In 1967, Milton Glaser, Seymour Chwast, and James McMullan produced psychedelic “travel” posters for an issue of The Push Pin Graphic.
Milton Glaser got minimal for SVA’s 40th Anniversary logo.
Some type-based design from Milton Glaser and Seymour Chwast.