April 29, 2016
First Look: Cris Gianakos
Work from artist and designer Cris Gianakos.
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Work from artist and designer Cris Gianakos.
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Robert Delpire and Push Pin Studio’s mutual admiration resulted in exhibitions in both New York and Paris.
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The Cooper-Hewitt’s outdoor exhibition/walking tour of lower Manhattan was held during the summer of 1975.
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In 1964, SVA’s Visual Arts Gallery hosted the Bettman Panopticon, an exhibition of works by the leading art directors and designers of the day created from materials in the Bettmann Archive, the trove of vintage clip art and photos.
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65 Self-Portraits is one of the best documented of the remarkable series of exhibitions organized by Shirley Glaser while she was director of SVA’s Visual Arts Gallery, 1964-1969.
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Eileen Boxer created sublime conceptual mail art to promote exhibitions at Ubu Gallery.
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An exhibition of Navajo Weaving at the Visual Arts Gallery in 1972 described a loom made of cosmic forces, and blankets rendered in “cannel-coal, turquoise, abalone, and white bead” but developed during a “devastating acculturation process.”
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The show revisits exhibitions of several decades, curated by the likes of David Bourdon, Douglas Crimp, Lucy Lippard, Phyllis Tuchman, and David Whitney (with posters designed by Milton Glaser, Cris Gianakos, Doug Johnson, B. Martin Pedersen, and many others). Not to forget student exhibitions that took place in SVA’s galleries in Tribeca and SoHo, documentation of performances by Steve Reich and Laurie Anderson, screenings and talks, and (my favorite) lots of little odds and ends—loan forms, hardware store receipts, doodles—gathered together in binders that reproduce the archival files for each show. Come say hi: the reception is next Thursday, November 21, 6-8pm.
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A 1961 exhibition of the work of the SVA Department of Illustration is a who’s who of the practitioners of the new expressive and painterly illustration of the time.
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In 1969, the Mead Library of Ideas presented an exhibition of the work of Push Pin Studios, sharing the design and illustration of its many current and former members.
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One of the central features of the Push Pin generation of designers — mainly Seymour Chwast and Milton Glaser — was a continued inspiration from, and reliance upon, physically layered compositions (using e.g., cello-tak) and photographic compositing.
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Cy Twombly was the subject of two solo exhibitions at SVA, in 1973 and 1977, just before his idiosyncratic work found new favor with the rising generation of neo-Expressionists.
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George Tscherny designed this installation for Pan American Airways, to be sent to travel agencies promoting their vacation locations. Details about the modular system follow.
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Spin to see if new markets overseas raise your income or if underproductivity kills your business.
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Go see James McMullan’s Lincoln Center Theater posters at the New York Public Library for the Performing Arts.
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It’s always a pleasure to hear Milton Glaser talk about his work, so here for your viewing delight is a short video of Glaser discussing some of the pieces that appeared in last year’s exhibition, Milton Glaser’s SVA: A Legacy of Graphic Design.
SVA Publications and Institutional Records
Gail Anderson Collection
Ed Benguiat Collection
Chermayeff & Geismar Collection
Seymour Chwast Collection
Stephen Doyle Collection
Heinz Edelmann Collection
Louise Fili Collection
Cris Gianakos Collection
Milton Glaser Collection
Keith Godard Collection (depricated)
Steven Heller Collection
David Mazzucchelli Collection
Ed McCabe Collection
James McMullan Collection
Tony Palladino Collection
Stefan Sagmeister Collection
Paul Sahre Collection
Deborah Sussman Collection
Fred Troller Collection
George Tscherny Collection
Henry Wolf Collection