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The Container List Blog

February 23, 2013

If we’re so good, why aren’t we better?

Spin to see if new markets overseas raise your income or if underproductivity kills your business.

If we’re so good, why aren’t we better? Continue Reading Read more
February 20, 2013

Cameo gallery

In 1995, the Cooper Union celebrated the 40th anniversary of Pushpin Studios with an exhibition and special sale of drawings and paintings by the three founders, pictured above: Seymour Chwast, Edward Sorel, and Milton Glaser; along with works by John Alcorn, Sam Antupit, Michael Aron, Vincent Ceci, Paul Davis, George Leavitt, Tim Lewis, Jim McMullan, Reynold Ruffins, Jerold Smokler, Richard Mantel, “and others.” This reminded me of another similar device that captured a group that is also heavily represented by the Archive.

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February 10, 2013

How do you Prang?

If you’ve ever found yourself wondering what a Prang is, your worries are over.

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February 02, 2013

The Dual Ladder

Which ladder will you climb at Xerox?

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January 25, 2013

More of that PBS guy

So last time we looked at a slide I’d happened upon by chance in the Push Pin slide library, for the font used in the PBS logo by Lubalin Studio. In the end of the post, I briefly mentioned that Chermayeff & Geismar updated the logo in 1984, taking the “P-head” from Lubalin’s logo…

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January 18, 2013

The Electric Circus

Chermayeff & Geismar design for “the ultimate legal entertainment experience."

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December 12, 2012

The first Nöel

Getting into the holiday spirit, we bring you Brownjohn, Chermayeff & Geismar’s charming wink at process.

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August 19, 2010

Keep it like a secret

In 1961, Ivan Chermayeff designed and illustrated Sandol Stoddard Warburg’s Keep it like a secret (Chermayeff and Warburg had previously collaborated on The Thinking Book in 1960). The charming title, with its childlike connotations, was later appropriated by the band Built to Spill for their 1999 album. Sadly, we only have the jacket, not the book itself, but I did discover another version of the jacket out there.

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July 21, 2010

Music box

Chermayeff & Geismar’s packaging for these Gramavision CDs brings me back to the CD bins in the (long gone) Tower Records on Broadway and E. 4th Street.

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June 14, 2010

Ring leaders

If Chermayeff & Geismar could be said to have one particular speciality, it would probably be the knack for distilling complex organizational systems into extremely reduced graphic ideas: their calling card in this respect was the Symbol Signs project. But this poster for Interactive Data Corporation, with its monochrome figuration for a symposium, also falls neatly into the category (along with work for Xerox). Click through for the full page.

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October 02, 2009

Chermayeff and Geismar’s letterhead on Silver Lining

One of our favorite design ephemera blogs, Silver Lining, recently asked us to participate in their Top 5 feature, where they invite fellow bloggers pick out five things for them to showcase as a series. Beth and I dug through boxes MG1 1A-4B and chose our favorite stationery and envelopes by letterhead wizards Chermayeff & Geismar.

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June 22, 2009

Script pattern by Ivan Chermayeff

Ivan Chermayeff designed this poster for AIGA’s “Color” exhibition in 1974, which collected work by artists, photographers and designers. Tightly flowing script creates a pattern made out of textual gibberish, where exaggerated descenders are punctuated at intervals with large blobs of ink. Click through for the whole image, with Chermayeff’s colorful signature.

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June 11, 2009

Lincoln Center book cover

Lincoln Center’s groundbreaking ceremony took place in on May 14, 1959, so this book cover designed by Chermayeff & Geismar must have been created some time in the early 1960s. According to the text, Lincoln Center would make New York City “… the international capital of the performing arts, just as the United Nations makes it a capital for world affairs.”

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March 10, 2009

Like a record

From the Chermayeff & Geismar Collection comes this Norlin Annual Report shaped like an album cover. Inside, along with the actual report, is the record Norlin Salutes The Music in America, which includes works by Morton Gould, Samuel Barber, Aaron Copland, Leonard Bernstein, and William Schumann.

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