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March 15, 2014
Do you see what I see?
A symposium of “provocative visual material” inspired Milton Glaser to come up with some of his own.
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February 24, 2014
The world of Windows On The World
The continuing story of the Windows On The World restaurant and its satellites in the World Trade Center, designed by Milton Glaser in 1976 and redone in 1996.
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February 16, 2014
Outside the box
Everything that enlarges the sphere of human powers, that shows man he can do what he thought he could not do, is valuable. – Samuel Johnson
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February 12, 2014
Significant figures
Milton Glaser’s menagerie of figures for the School of Visual Arts, 1971.
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February 09, 2014
Dim sum
The Nom Wah Tea Parlor, the venerable Chinatown dim sum purveyor that uses Milton Glaser’s illustrations on its menu, reopened in time for the Chinese New Year.
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January 28, 2014
Record labels
Milton Glaser applies his passion for music to record labels.
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January 25, 2014
Milton Glaser’s menus for the World Trade Center
One curious feature about the Glaser collection is its organizational style, which was based on the way the materials were donated by the designer. Subseries G of his Printed Materials contains many of the menus he did for businesses at the World Trade Center.
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January 08, 2014
Justine & Balthazar
While McMullan’s work from the early 1960s is close in spirit to the evocative illustration of his colleagues Robert Weaver and Jerome Martin, Glaser’s late 1960s take shows a pop/psych style then at its height. The art is very much in keeping with other work that Glaser was doing at the time, with its flowing curvilinear lines and high contrast colors, which also, intentional or not, indicate some churning emotional content.
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December 16, 2013
The many faces of Elliott Gould
For Time magazine, 1970: several versions of Elliott Gould, by Milton Glaser
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December 13, 2013
Life Underground
Milton Glaser and Jerome Snyder ate their way through NYC so you didn’t have to.
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October 28, 2013
A brief tour of Milton Glaser’s typography
Glaser’s typefaces combine Push Pin-era Deco motifs with conventions adapted from hand-painted signs, but share a tendency to imbue generic letterforms with geometric dimension.
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October 21, 2013
Colorvision!
In what essentially looks like a lost issue of the Push Pin Graphic, Colorvision (“an entirely new concept of color in clothing!”) describes the magic of a Blendescent.
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October 15, 2013
Exploding coffee table
While we’re on the subject of the Memphis Group, better take cover; that table’s gonna blow.
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October 06, 2013
A Grand Union
In the mid-1970s, Milton Glaser was approached by Sir James Goldsmith to take on a dramatic redesign of the supermarket chain Grand Union.
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September 14, 2013
Fifteen years of heartache and aggravation
In 1969, the Mead Library of Ideas presented an exhibition of the work of Push Pin Studios, sharing the design and illustration of its many current and former members.
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August 31, 2013
Milton Glaser’s SVA: A Legacy of Graphic Design
A retrospective of Milton’s Glaser’s design work for SVA opens today at SVA’s Visual Arts Gallery (601 W. 26th Street, NYC).
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August 21, 2013
His back pages
Another riff on Milton Glaser’s indefatigable Dylan poster, here for a book by Roots drummer Questlove. It’s interesting the jacket designer also uses a Baby Teeth-esque typeface (though it looks a little wonky?). Anyway, some amusing stories have been bubbling up from this particular volume, including (on Slate) The Time I Went Roller Skating With Prince. Some of earlier, amusingly candid versions of these stories can also be found at the website Questlove’s Celebrity Stories.
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August 12, 2013
Concrete Poetry
Milton Glaser tips his hat to French poet, playwright, and critic Guillaume Apollinaire.
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July 29, 2013
Tea for two
Milton Glaser for the Russian Tea Room.
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July 22, 2013
Layer cake
One of the central features of the Push Pin generation of designers — mainly Seymour Chwast and Milton Glaser — was a continued inspiration from, and reliance upon, physically layered compositions (using e.g., cello-tak) and photographic compositing.
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