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April 20, 2013
A stricter side of Palladino
Tony Palladino worked for Siegel & Gale in the mid-1970s — one of the accounts he worked on was Conrail, a new railroad organization created by the federal government.
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April 15, 2013
Everyday is like Sunday
Milton Glaser’s take on Seurat.
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April 14, 2013
First Look: Seymour Chwast Collection
We recently received a wonderful donation from illustrator and designer Seymour Chwast. He was a founding partner of Push Pin Studios in 1954, along with Milton Glaser, Edward Sorel and Reynold Ruffins. The studio’s name was changed to the Pushpin Group in 1985 and Chwast remains as its director. Here’s a sampling of the 80 posters we received; future posts will highlight original artwork and other printed materials that offer a comprehensive view of Chwast’s influential career.
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April 13, 2013
My ever changing moods
Well before the boom of direct-to-consumer pharmaceutical advertising, highly adventurous drug advertising was aimed almost exclusively at physicians.
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April 10, 2013
Push Pin & Pop
Some ephemeral points of comparison between the work of Seymour Chwast and Andy Warhol.
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April 01, 2013
Eat your peas & carrots
Westvaco’s not-so-generic paper promotion.
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March 31, 2013
The furniture people of Stanley VanDerBeek
Stan VanDerBeek (1927-1984) was best known as an experimental filmmaker but he was also a gifted painter and sculptor. This undated issue of the Push Pin Graphic features photographs of VanDerBeek’s whimsical creations.
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March 25, 2013
Wonder Magazine, 1962
Wonder was the product of Henry Wolf’s class, Making a Magazine, at the School of Visual Arts. Conceived, designed, and written over the course of the Fall 1961 and Spring 1962 semesters, this one-off children’s magazine communicated with its audience in an exuberantly playful manner that never condescended. And it’s certainly the coolest-looking kids magazine I’ve ever seen. Wolf’s students included William Ingraham, Walter Bernard, Sullivan Ashby, Robert Giusti, Herbert Migdoll, Shirley Glaser, David November, Antonio Macchia, and Henry Markowitz.
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March 23, 2013
Jack Roberts birth announcement, 1950
A birth announcement illustrated by Jack Roberts (for his daughter), archived in Henry Wolf’s correspondence.
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March 17, 2013
Opera News
In the category of personal favorites go these beautiful Opera News covers, done by Milton Glaser between 1966 and 1970, while he was at Push Pin.
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March 15, 2013
Rich and splendid
Trahey/Wolf borrow some allure from TWA.
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March 12, 2013
Burgers for breakfast
An envelope showing the logo for slider chain Krystal, ca 1980s, designed by Chermayeff & Geismar. Doggie bag follows.
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March 06, 2013
The SVA Tribeca gallery, 1980
SVA’s Tribeca Gallery, which housed student shows in 1979 and 1980, was one of the first school-run galleries that showed student work in a competitive art scene. Randy Black appeared in a 1980 show alongside Ilan Averbuch, Rebecca Cuming, Jennifer Macdonald, Stephanie Rudolph and Brian Spaeth. The background on the gallery and the story of a forgotten work by Keith Haring follow.
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March 04, 2013
Talk about the Passion
Milton Glaser and Henry Wolf’s magazine workshop pays tribute to the landmark erotic publication Eros.
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February 27, 2013
Galeonen Bar, Hamburg
Milton Glaser designed this irregularly-shaped, cut-out menu in 1973 for Galeonen Bar, at the Plaza Hamburg hotel. Their vintage cocktail menu follows.
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February 25, 2013
The surrealistic book covers of Heinz Edelmann
Heinz Edelmann’s book covers for Klett-Cotta.
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February 25, 2013
American-Type Sculpture
Poster for the exhibition American-Type Sculpture, Part 2, which opened at the Visual Arts Gallery in 1973. Curator Phyllis Tuchman brought together a prophetic list of artists for the show, including Louise Bourgeois, Sol LeWitt, and Richard Serra.
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February 23, 2013
If we’re so good, why aren’t we better?
Spin to see if new markets overseas raise your income or if underproductivity kills your business.
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February 20, 2013
Cameo gallery
In 1995, the Cooper Union celebrated the 40th anniversary of Pushpin Studios with an exhibition and special sale of drawings and paintings by the three founders, pictured above: Seymour Chwast, Edward Sorel, and Milton Glaser; along with works by John Alcorn, Sam Antupit, Michael Aron, Vincent Ceci, Paul Davis, George Leavitt, Tim Lewis, Jim McMullan, Reynold Ruffins, Jerold Smokler, Richard Mantel, “and others.” This reminded me of another similar device that captured a group that is also heavily represented by the Archive.
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February 20, 2013
Love is a sign
Vernacular signage from the first year of the Push Pin Graphic.
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